The Holiday season was a little weird for me this year! We have been working on some product development jobs, and doing some renovations at our house. Usually it's a little quiet around Christmas time, but this year, no way! I, of course hadn't planned on the amount of work when I tackled the shower remodel, so I spent a lot of time bumming showers off friends and family until ours was ready to use again :)
We had a couple of sign to cut for another few sign shops through the holidays as well. I'll post those in a bit.
The current build is for another toy commercial. This pre-lights on the 8th, with the delivery happening on the 6th. They'll actually shoot it on the 9th of January.
They want a Mars style surface for the toys. This build will be similar to the Batman and Dinosaur build we did in the summer. In fact, I think it's for the same people again.
This is the layout sent by the Art Director. This was drawn in Sketch-up, and allows us to pull real world heights and measurements from the file. This makes building a lot easier!
The middle section of terrain is around 20' wide. Most of the mountains and rock structures we will keep wild, this will let them move them around like martian Lego, depending on the lensing they go with.
The bulk of this set will be styrofoam again, and this time I went with the lightest density at type 1.
I also FINALLY picked up a hot-wire bow cutter. I'm hoping it will reduce the endless amounts of styrofoam balls that populate the shop for months after a job like this!
95 lb Jody (in a 200lb man set of coveralls HA HA) started the layout and cutting of the foam sheets. I imported the set drawings into Corel for dividing up into block sections for the rough cuts.
The hotwire cutter worked amazingly quick and mess free. Although trying to cut and stay on the line is a bit like driving a bus drunk!
With the rough cuts made, the sheets were glued up using spray foam, and a little tape to stop the foam from spreading the joints.
Using some strips of poly sheets to keep the sections from sticking to each other, we glued them together and stacked them all up. I only have two 50lb weights, so this let us keep all the sections flat till the glue dries.
It may not look like much, but these are all the rock sections for the font base portion where the toy will be set up and shot.
By the end of the day, we had 90% of all the foam cut and glued.
I love our new hot-wire cutter!
8)
JWO
A behind the scenes look at film and television Prop making peppered with everything else creative we do!
When I lent my services to a collegue who was working on a film about 12 years ago, I was introduced to the world of cnc. I remember watching this huge machining centre milling out a slab of mdf and turning it into a fantastic set of gears. I knew that it would have taken me hours to achieve the same thing with traditional power tools. I decided then that I would invest in a cnc router for my own business Oxenham Design. At that time I could turn on a computer, but even to check email seemed like a crazy set of operations. I persevered and learned every piece of relevant software I could get my hands on. I am now fortunate enough to be using Vectric's ASPIRE software, and Techno cnc routers, which has helped us to create some amazing projects, both in part, or in full. I thought that this blog would be a great place to share "behind the scenes" adventures with the software, materials and equipment we use, as well as the projects we build.
Tuesday, 31 December 2013
Tuesday, 10 December 2013
Last of the Lottery
The last portion of the OLG lottery build was the painting. By the time the large "paper mache" forms were ready for paint, it was around midnight. It was a little stressfull, as we had to be on set with everything at 7am. This meant we would have to leave at 5:30 am at the latest! Not much sleep, that's for sure.
The look for these was to be totally handcrafted, so this meant hand painting. I vectorized the different sports balls, then sent the painted areas to our plotter to draw the masks, that we would cut out by hand. I didn't want to risk sticking adhesive vinyl on the newly painted surfaces.
The hand painted look would come from using a brush to outline the sprayed portions.
We didn't try very hard to keep super crisp lines, but we still tried a little :)
The pieces took up a huge amount of room in the shop. Even though it was crazy hot that evening, we ended up closing the door in the end, due to the on-onslaught of blood thirsty mosquitoes!
We had about 9 fans all running to dry the acrylic latex paints, which only had around an hour to dry before they got loaded into the cube van.
I was glad to drop them off, and actually slept for a few hours in the rental truck before heading back to the shop.
8)
JWO
The look for these was to be totally handcrafted, so this meant hand painting. I vectorized the different sports balls, then sent the painted areas to our plotter to draw the masks, that we would cut out by hand. I didn't want to risk sticking adhesive vinyl on the newly painted surfaces.
The hand painted look would come from using a brush to outline the sprayed portions.
We didn't try very hard to keep super crisp lines, but we still tried a little :)
The pieces took up a huge amount of room in the shop. Even though it was crazy hot that evening, we ended up closing the door in the end, due to the on-onslaught of blood thirsty mosquitoes!
We had about 9 fans all running to dry the acrylic latex paints, which only had around an hour to dry before they got loaded into the cube van.
I was glad to drop them off, and actually slept for a few hours in the rental truck before heading back to the shop.
8)
JWO
Friday, 6 December 2013
Lottery Commercials are BIG!
Usually on every build there is one part that secretly haunts me on how I'm going to solve it. Most times it's usually an easy thing, but my mild case of anal retentiveness can cloud my overall thinking :)
The entire pencil build was one of these times. Not the pencil itself, but that stupid metal band that holds the eraser on. I thought about using metal, I thought about engraving something on our Techno, but non of it seemed deadline friendly in the end.
Most times we are lucky enough to be provided story boards for our portion of the job. These answer more questions than lengthy, back and forth emails ever could. Most times the boards are more help than meetings are as well!
The story boards for us let us see how much of something we build will actually be in frame, or how tight the camera will be on it. Due to the size of the pencil in frame, high detail wasn't actually required on it.
So with all the information available, I decided to go the route of printing. I drew the file up in corel, and sent it to our print house. The printed metal band came out great! We stuck it to a piece of 1/16" styrene sheet, and would wrap it around the pencil. Plus, the design of the metal band left lots of hiding places for the 1/4" narrow crown staples that will be holding it to the rest of the pencil.
The eraser tip was the least of the problems for this. I went with 2, 4" pvc pipe joiners, I glued on a flat plate of 1/2" white pvc, then routed the radius on with our hand router.
With the pencil tip securely glued and screwed then shaped, I rounded the back end with the belt sander to aid in the wrapping of the printed metal band. Knowing that the pencil was being used as a baseball bat AND a battering ram, the next problem would be paint. As friendly as acrylic latex is, it's not overly durable in rubbing situations. We decided to try a completely different water based paint for this. We went with a waterbased pavement marking paint. This paint is used for painting parking lot lines. It has all the benefits of latex house paint, but you can actually feather sand it when it dries. It's really durable for water clean-up. The bright yellow is the color from the can, and made an excellent primer sealer base coat for the wood.
Jody matched the color to a pencil we had in the shop by further tinting the same paint to a more realistic color.
With the final assembly done, all that was left on these was delivering them to set! It was really hard not to want to put "OxenhamDesign.com" on the pencil where "Hilroy" was on the real pencil! But if the client was un-happy, it would be a big step backwards!
8)
JWO
The entire pencil build was one of these times. Not the pencil itself, but that stupid metal band that holds the eraser on. I thought about using metal, I thought about engraving something on our Techno, but non of it seemed deadline friendly in the end.
Most times we are lucky enough to be provided story boards for our portion of the job. These answer more questions than lengthy, back and forth emails ever could. Most times the boards are more help than meetings are as well!
The story boards for us let us see how much of something we build will actually be in frame, or how tight the camera will be on it. Due to the size of the pencil in frame, high detail wasn't actually required on it.
So with all the information available, I decided to go the route of printing. I drew the file up in corel, and sent it to our print house. The printed metal band came out great! We stuck it to a piece of 1/16" styrene sheet, and would wrap it around the pencil. Plus, the design of the metal band left lots of hiding places for the 1/4" narrow crown staples that will be holding it to the rest of the pencil.
The eraser tip was the least of the problems for this. I went with 2, 4" pvc pipe joiners, I glued on a flat plate of 1/2" white pvc, then routed the radius on with our hand router.
With the pencil tip securely glued and screwed then shaped, I rounded the back end with the belt sander to aid in the wrapping of the printed metal band. Knowing that the pencil was being used as a baseball bat AND a battering ram, the next problem would be paint. As friendly as acrylic latex is, it's not overly durable in rubbing situations. We decided to try a completely different water based paint for this. We went with a waterbased pavement marking paint. This paint is used for painting parking lot lines. It has all the benefits of latex house paint, but you can actually feather sand it when it dries. It's really durable for water clean-up. The bright yellow is the color from the can, and made an excellent primer sealer base coat for the wood.
Jody matched the color to a pencil we had in the shop by further tinting the same paint to a more realistic color.
With the final assembly done, all that was left on these was delivering them to set! It was really hard not to want to put "OxenhamDesign.com" on the pencil where "Hilroy" was on the real pencil! But if the client was un-happy, it would be a big step backwards!
8)
JWO
Thursday, 5 December 2013
Paper Mache Lottery!
With the cast sections for the breakaway football almost dried, they were slipped over the rigid portion of the football. We were pushing our luck with the dry time on these, but we managed to get them de-molded safely! We used a regular staple gun to tack the paper section to the framed wood section, then followed up with a quick trim, and nail set!
With the two halves mated into one piece, the next step was to cover the rigid portion of the football with paper mache, and blend the seam away. Again, the mighty drying powers of the sun were employed anywhere we could!
In the end, we also used some scenic mud to add additional texture to the props to further drive home the textured surface of paper mache. Jody and Anna got the base coats applied to all the oversized pinata's.
While the ladies were working on the paint portions, I started to tackle the 2 oversized pencils that would become the tool to smash open the pinata's. We decided on 2, in case something tragic happened on set, they would have a backup pencil to use. The diameter of the pencil was spec'd out at 5 inches. I thought about just using a cedar 6X6 milled to the shape, but it was impossible to find one that was light enough, and didn't have shrink cracks down the length of it. In the end, I went with 3/4" maple plywood, with each section mitered to the correct angle.
Using masking tape as a hinge, the sections were rolled up, using a urethane glue and staples to complete the shape. Once the glue dried, we capped the ends, and poured measured amounts of casting resin down the inside, rolling the pencil to get the resin in every nook and cranny. A fair amount leaked out in places, but that's the exact reason for doing it. I wanted to fill every space on the seams with a quick hardening adhesive, adding the maximum strength possible.
The tip of the pencil was fabricated from 2X4 pine stock. Again, these were 6 sections, compound mitered on the table saw. Once the glue and resin had set, I drilled straight down the tip for the 5/8" carriage bolt that will add the bulk of the strength by tying all the sections together.
The rounded head of the carriage bolt would become the pillar of strength for when the pencil is used as a battering ram through several dry-walled set walls! Plus, when we paint it, it'll have the rounded tip of used pencil lead!
8)
JWO
With the two halves mated into one piece, the next step was to cover the rigid portion of the football with paper mache, and blend the seam away. Again, the mighty drying powers of the sun were employed anywhere we could!
In the end, we also used some scenic mud to add additional texture to the props to further drive home the textured surface of paper mache. Jody and Anna got the base coats applied to all the oversized pinata's.
While the ladies were working on the paint portions, I started to tackle the 2 oversized pencils that would become the tool to smash open the pinata's. We decided on 2, in case something tragic happened on set, they would have a backup pencil to use. The diameter of the pencil was spec'd out at 5 inches. I thought about just using a cedar 6X6 milled to the shape, but it was impossible to find one that was light enough, and didn't have shrink cracks down the length of it. In the end, I went with 3/4" maple plywood, with each section mitered to the correct angle.
Using masking tape as a hinge, the sections were rolled up, using a urethane glue and staples to complete the shape. Once the glue dried, we capped the ends, and poured measured amounts of casting resin down the inside, rolling the pencil to get the resin in every nook and cranny. A fair amount leaked out in places, but that's the exact reason for doing it. I wanted to fill every space on the seams with a quick hardening adhesive, adding the maximum strength possible.
The tip of the pencil was fabricated from 2X4 pine stock. Again, these were 6 sections, compound mitered on the table saw. Once the glue and resin had set, I drilled straight down the tip for the 5/8" carriage bolt that will add the bulk of the strength by tying all the sections together.
The rounded head of the carriage bolt would become the pillar of strength for when the pencil is used as a battering ram through several dry-walled set walls! Plus, when we paint it, it'll have the rounded tip of used pencil lead!
8)
JWO
Monday, 2 December 2013
The Summer with the Lottery!
There hasn't been much awesome building here lately. We've been doing all computer work and design stuff.
One of the jobs we did during the summer came with a signed NDA, so now that it has finally aired, I thought I would post the build!
I haven't been able to find the commercial online, but I did see it on TV the other week.
This was for Pro-Line sports lottery. The concept was that they wanted giant pinata's. One of them would be smashed open by a guy with a giant pencil, and a football player would fall out. Then they use the pencil to crash through a couple of walls, eventually getting to the counter to buy a proline ticket.
There was a baseball, soccer ball, basket ball, and 3 footballs. The footballs would be the only ones that actually get busted open, the other ones just kinda hang there. In fact, footballs 2 and 3 were just back-ups, in-case the first one didn't work very well. They didn't want these to be fully dimensional, just kind of extruded flats. The balls were 52" in diameter, and the footballs were 6 feet long. Due to their size, we opted to frame them out with plywood and 1/8" luan for skins. Very lightweight!
I had to solve the issue of how to have the footballs be framed in wood, AND bust open like a paper mache pinata.
I finally decided that we would frame the part that gets smashed, and use it as a mold. So I added a 3" overlap to the frame on the bottom of the football. When we finished the paper mache, it should slide over the upper part of the football by 3" becoming a strong glue joint. To start, we covered the bottom frame in poly-ethylene sheet, to aid in removing the final paper mache.
The mache part was just a mixture of white glue and water. We also went with a thicker moving paper to bulk the skins up faster.
It wasn't my most favorite part of the build, but the gooey strips went on fairly easy. The hardest part was remembering how many layers we had added. If we didn't have enough, it could fall apart while de-molding, if we added too many, it'll never smash apart. And there was no time to re-mold these pieces. This was another 3-day start to finish job.
I have to organize and label the rest of the pics for posting tomorrow!
8)
JWO
One of the jobs we did during the summer came with a signed NDA, so now that it has finally aired, I thought I would post the build!
I haven't been able to find the commercial online, but I did see it on TV the other week.
This was for Pro-Line sports lottery. The concept was that they wanted giant pinata's. One of them would be smashed open by a guy with a giant pencil, and a football player would fall out. Then they use the pencil to crash through a couple of walls, eventually getting to the counter to buy a proline ticket.
I had to solve the issue of how to have the footballs be framed in wood, AND bust open like a paper mache pinata.
I finally decided that we would frame the part that gets smashed, and use it as a mold. So I added a 3" overlap to the frame on the bottom of the football. When we finished the paper mache, it should slide over the upper part of the football by 3" becoming a strong glue joint. To start, we covered the bottom frame in poly-ethylene sheet, to aid in removing the final paper mache.
The mache part was just a mixture of white glue and water. We also went with a thicker moving paper to bulk the skins up faster.
It wasn't my most favorite part of the build, but the gooey strips went on fairly easy. The hardest part was remembering how many layers we had added. If we didn't have enough, it could fall apart while de-molding, if we added too many, it'll never smash apart. And there was no time to re-mold these pieces. This was another 3-day start to finish job.
I have to organize and label the rest of the pics for posting tomorrow!
8)
JWO
Wednesday, 27 November 2013
Del Monte!
While perusing the Westside studio blog: http://www.westsidestudio.com/blog/
I came across the finals of the Del Monte job we did quite a while back.
I have embedded their blog on mine, and it shows sort of a day in the life after we deliver our part of the job!
Thanks again to Westside, and enjoy!
IN PRINT | A DIFFERENT KINDA BREAK
by Matt on November 19, 2013
Whether it’s chatting round the water cooler, or a lonely smoke in the autumn cold, we all find our ways to get a quick break in during the daily grind. Many at the studio enjoy sneaking off to one of our local coffee esablishments for a midday fix. But today Andrew B Myers and Blammo invite you to change up your daily routine, and try doing something more fruitful with your 5.
Working with Art Director (and all around great guy) Oliver James Brooks, Andrew brought his signature style to Del Monte and their lineup of delicious Fruit Cups. In addition to the layouts seen above, there are some really awesome double page versions that we’ve left at a nice high resolution for all your desktop background needs.
Photographer: Andrew B Myers
Client: Del Monte
Agency: Blammo
Art Director: Oliver James Brooks
Food Stylist: Chantel Payette
Model Maker: Oxenham Design
Assistants: Gabe Nivera & Rebecca Leach
To bring the ears, lips, and Like’s to life, Jamie Oxenham of Oxenham Design was brought on board to whip up some of his model making magic. Here’s a look of some of the steps involved in creating the props via his blog From Aspire to Beyond.
As for the day on set, it seems like donuts were the favourite prop based on Instagram’s from both Gabe Nivera and Tom Nesbitt.
So however you choose to take your break – that’s fine – enjoy your time. Just remember if you’re looking to change it up, grab a Del Monte Fruit Cup!
Images © Andrew B Myers
BTS Images © Jamie Oxenham, Gabe Nivera, & Tom Nesbitt
Working with Art Director (and all around great guy) Oliver James Brooks, Andrew brought his signature style to Del Monte and their lineup of delicious Fruit Cups. In addition to the layouts seen above, there are some really awesome double page versions that we’ve left at a nice high resolution for all your desktop background needs.
Photographer: Andrew B Myers
Client: Del Monte
Agency: Blammo
Art Director: Oliver James Brooks
Food Stylist: Chantel Payette
Model Maker: Oxenham Design
Assistants: Gabe Nivera & Rebecca Leach
To bring the ears, lips, and Like’s to life, Jamie Oxenham of Oxenham Design was brought on board to whip up some of his model making magic. Here’s a look of some of the steps involved in creating the props via his blog From Aspire to Beyond.
As for the day on set, it seems like donuts were the favourite prop based on Instagram’s from both Gabe Nivera and Tom Nesbitt.
So however you choose to take your break – that’s fine – enjoy your time. Just remember if you’re looking to change it up, grab a Del Monte Fruit Cup!
Images © Andrew B Myers
BTS Images © Jamie Oxenham, Gabe Nivera, & Tom Nesbitt
8)
JWO
Tuesday, 26 November 2013
Capital One Aspire Campaign!
If you remember our airplane seat build, I found the finals on the Westside Studio blog, and thought you would like to see them!
So without further adieu, tada:
I'm not sure where the blend from practical to CG is, but I like it overall!
8)
JWO
So without further adieu, tada:
I'm not sure where the blend from practical to CG is, but I like it overall!
8)
JWO
Monday, 18 November 2013
Bear-ly Done!
The other portions of the bear job were the internal plates that would hold the tube and vacuum motor.
Because the model was added to after I imported it into Aspire, all the work from this point will be done totally in Aspire. I pulled 2 cross sections from the model, these 2 sections will make up the front half of the plates that will sandwich the tube that holds the fluff. The distances were already figured out based on the blower motor and stuffer tube set-up.
This was the result of combining the front and back cross sections into a top and bottom plate. The 1/4 arches will get glued to the plates to make a ring that will lock the tube to the plates.
The plan is that the internal mechanics will get assembled separately, then inserted into the final painted machine halves.
The company asked if we were interested in painting the bear to save them time. Styrene is a bit of a different animal when it comes to paint. A lot of paint doesn't adhere in the long run, resulting in flaking off in a couple of weeks, if not sooner. We use an industrial ABS styrene lacquer. It chemically eats into the styrene, and is sand-able in less than ten minutes if you put the part in front of a fan. I decided for the prototype that he would look better if the face was a few shades lighter than the rest of the bear.
Here's the final paint job with the graphics applied. I used the vectors from Aspire to create the final shapes for the sticker graphics. The graphics were colored and drawn in Corel, and printed by our friends at Autotrim in Lindsay, ON.
And with that, the little guy left the shop to have his insides jammed in, and get stuffed into a box bound for Orlando!
I'm looking forward to doing the next characters in the near future, especially after conquering all the unknowns now!
8)
JWO
Because the model was added to after I imported it into Aspire, all the work from this point will be done totally in Aspire. I pulled 2 cross sections from the model, these 2 sections will make up the front half of the plates that will sandwich the tube that holds the fluff. The distances were already figured out based on the blower motor and stuffer tube set-up.
This was the result of combining the front and back cross sections into a top and bottom plate. The 1/4 arches will get glued to the plates to make a ring that will lock the tube to the plates.
The plan is that the internal mechanics will get assembled separately, then inserted into the final painted machine halves.
The company asked if we were interested in painting the bear to save them time. Styrene is a bit of a different animal when it comes to paint. A lot of paint doesn't adhere in the long run, resulting in flaking off in a couple of weeks, if not sooner. We use an industrial ABS styrene lacquer. It chemically eats into the styrene, and is sand-able in less than ten minutes if you put the part in front of a fan. I decided for the prototype that he would look better if the face was a few shades lighter than the rest of the bear.
Here's the final paint job with the graphics applied. I used the vectors from Aspire to create the final shapes for the sticker graphics. The graphics were colored and drawn in Corel, and printed by our friends at Autotrim in Lindsay, ON.
And with that, the little guy left the shop to have his insides jammed in, and get stuffed into a box bound for Orlando!
I'm looking forward to doing the next characters in the near future, especially after conquering all the unknowns now!
8)
JWO
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